A divorcee moves her family cross-country to take her paralyzed son to a pioneer neurosurgeon.

Explosive bursts of fire open Technology/Transformation, an incendiary deconstruction of the ideology embedded in television form and pop cultural iconography. Appropriating imagery from the 1970s TV series Wonder Woman, Birnbaum isolates and repeats the moment of the "real" woman's symbolic transformation into super-hero. Entrapped in her magical metamorphosis by Birnbaum's stuttering edits, Wonder Woman spins dizzily like a music-box doll. Through radical manipulation of this female Pop icon, she subverts its meaning within the television text. Arresting the flow of images through fragmentation and repetition, Birnbaum condenses the comic-book narrative — Wonder Woman deflects bullets off her bracelets, "cuts" her throat in a hall of mirrors — distilling its essence to allow the subtext to emerge. In a further textual deconstruction, she spells out the words to the song Wonder Woman in Discoland on the screen. The lyrics' double entendres ("Get us out from under... Wonder Woman") reveal the sexual source of the superwoman's supposed empowerment: "Shake thy Wonder Maker." Writing about the "stutter-step progression of 'extended moments' of transformation from Wonder Woman," Birnbaum states, "The abbreviated narrative — running, spinning, saving a man — allows the underlying theme to surface: psychological transformation versus television product. Real becomes Wonder in order to "do good" (be moral) in an (a) or (im)moral society."

In 2005, Kang Moon-Jae (Lee Hyun-Woo) is a high-school student and a trouble maker. Since his mother remarried, Kang Moon-Jae has lived with his father, Kang Ka-Deuk (Ahn Nae-Sang), but he can't get along with him. One day, Kang Moon-Jae runs away on his motorcycle and gets into an accident.He then finds himself in 2015 and learns that his father is in a comatose state. Ka-Deuk got into an accident trying to find his son. Kang Moon-Jae decides to go back to 2005 to change the future.

There were two series, each of six episodes, set in a fictional Yorkshire town and based on the books by David Nobbs, the creator of Reginald Perrin and Henry Pratt. Each episode took place at a different social function (a "do") and followed the changing lives of two families, the working-class Simcocks and the middle-class Rodenhursts, together with their respective friends, Rodney and Betty Sillitoe, and Neville Badger. Written by Martin Underwood {[email protected]}

A documentary following the life of Olaudah Equiano, based on his autobiography "The Interesting Narration of the Life of Olaudah Equiano, or Gustavus Vassa the African".

Rookie policeman Tai Lin yearned to be an artist before he failed an examination and followed in his father's footsteps. One day he interrupts an apparent suicide attempt by a woman standing on the edge of a bridge.

After Gyeong-bae's son is kidnapped, he receives a call from the kidnapper asking for 100 million won. The detectives are teamed up for the case, yet the culprit gets away at every opportunity.

After losing her laundry store to a fire incident, a single mom Duk-hee receives a call from a bank offering a generous upfront loan so she takes it right away. But soon after, she finds out that she has become a victim of a voice phishing scheme. Devastated, Duk-hee turns to the police for help, only to be more disappointed that there is no hope of retrieving her money. At the moment of despair, Jae-min, the phisher who tricked her, rings her phone once again to tip Duk-hee off about the criminal organization that locked him up and coerced him to make voice phishing calls from China. With that call, Duk-hee makes up her mind to investigate this case for herself and take a plane to China with her friends.

One winter day, nobody comes to see a play. One of the drama’s actresses becomes angry and leaves the theater. She goes to a park, drinks and meets people.

Stockholm 1956. The Swedish botanist, candidate and lieutenant Nils von Ekelöw, presents his research to a panel of professors.