In prehistoric Mongolia lived a couple—Bogdo and Fayau. Their happy life is torn apart when Fayau is abducted by an invading tribe. With the supreme guardian spirit "Red Stag"'s blessing, Bogdo ventures out to the ocean but his journey ends without fulfilling his wish to be reunited with Fayau. The Red Stag, however, promises that the lovers' paths will cross again in time. The strong love between Bogdo and Fayau survives through 10,000 years of human history, as they are reborn into the Age of Discovery and again into today's world.

A divorcee moves her family cross-country to take her paralyzed son to a pioneer neurosurgeon.

The journey of She and Loverboy – a dealer of the sacred flower’s seeds. Led by the invisible force of the kidnapper, she is soon caught in a delusion of their strangely automatic, lonely honeymoon

Explosive bursts of fire open Technology/Transformation, an incendiary deconstruction of the ideology embedded in television form and pop cultural iconography. Appropriating imagery from the 1970s TV series Wonder Woman, Birnbaum isolates and repeats the moment of the "real" woman's symbolic transformation into super-hero. Entrapped in her magical metamorphosis by Birnbaum's stuttering edits, Wonder Woman spins dizzily like a music-box doll. Through radical manipulation of this female Pop icon, she subverts its meaning within the television text. Arresting the flow of images through fragmentation and repetition, Birnbaum condenses the comic-book narrative — Wonder Woman deflects bullets off her bracelets, "cuts" her throat in a hall of mirrors — distilling its essence to allow the subtext to emerge. In a further textual deconstruction, she spells out the words to the song Wonder Woman in Discoland on the screen. The lyrics' double entendres ("Get us out from under... Wonder Woman") reveal the sexual source of the superwoman's supposed empowerment: "Shake thy Wonder Maker." Writing about the "stutter-step progression of 'extended moments' of transformation from Wonder Woman," Birnbaum states, "The abbreviated narrative — running, spinning, saving a man — allows the underlying theme to surface: psychological transformation versus television product. Real becomes Wonder in order to "do good" (be moral) in an (a) or (im)moral society."

Explosive bursts of fire open Technology/Transformation, an incendiary deconstruction of the ideology embedded in television form and pop cultural iconography. Appropriating imagery from the 1970s TV series Wonder Woman, Birnbaum isolates and repeats the moment of the "real" woman's symbolic transformation into super-hero. Entrapped in her magical metamorphosis by Birnbaum's stuttering edits, Wonder Woman spins dizzily like a music-box doll. Through radical manipulation of this female Pop icon, she subverts its meaning within the television text. Arresting the flow of images through fragmentation and repetition, Birnbaum condenses the comic-book narrative — Wonder Woman deflects bullets off her bracelets, "cuts" her throat in a hall of mirrors — distilling its essence to allow the subtext to emerge. In a further textual deconstruction, she spells out the words to the song Wonder Woman in Discoland on the screen. The lyrics' double entendres ("Get us out from under... Wonder Woman") reveal the sexual source of the superwoman's supposed empowerment: "Shake thy Wonder Maker." Writing about the "stutter-step progression of 'extended moments' of transformation from Wonder Woman," Birnbaum states, "The abbreviated narrative — running, spinning, saving a man — allows the underlying theme to surface: psychological transformation versus television product. Real becomes Wonder in order to "do good" (be moral) in an (a) or (im)moral society."

In 2005, Kang Moon-Jae (Lee Hyun-Woo) is a high-school student and a trouble maker. Since his mother remarried, Kang Moon-Jae has lived with his father, Kang Ka-Deuk (Ahn Nae-Sang), but he can't get along with him. One day, Kang Moon-Jae runs away on his motorcycle and gets into an accident.He then finds himself in 2015 and learns that his father is in a comatose state. Ka-Deuk got into an accident trying to find his son. Kang Moon-Jae decides to go back to 2005 to change the future.

When a young man's wife is chosen for ascension, a propaganda-fueled means to control overpopulation, he decides to challenge the oppressors no matter how futile his actions may be.

This short follows a look at various Pokémon in the wild, looking at how they react to other Pokémon around them.

A young couple faces the realities of life with their child who is diagnosed with AIDS.

A beautiful young woman sets her sights on an aging millionaire. She seduces him, and moves into his mansion with him. She soon tires of him, though, and after she gets rid of him, she goes after his son.